影片将在努纳武特地区取景拍摄，讲述一位年轻的因纽特母亲想要为自己创造新未来的故事。但问题在于，在她所在的这个北极小镇，人人都对别人的事了如指掌，这绝非易事。

The untitled project will film in Nunavut and revolves around a young Inuk mother who wants to build a new future for herself. The problem? It won’t be easy in her small Arctic town where everyone knows everybody else’s business.

2045年，两极冰川融化，地球上仅存的石油和天然气在加拿大北部被人们发现了。剧中的Borealis镇是一个靠近北极的小镇，许多渴望占有这些宝贵资源的人云集于此，企业家、旅店业大亨Vic Carboneau也是其中之一。Vic声称自己最先发现这些东西，应该享有所有权，可各方势力都想要分一杯羹，一场多方战争一触即发（Vic友人之死成了导火索）。

2045年，两极冰川融化，地球上仅存的石油和天然气在加拿大北部被人们发现了。剧中的Borealis镇是一个靠近北极的小镇，许多渴望占有这些宝贵资源的人云集于此，企业家、旅店业大亨Vic Carboneau也是其中之一。Vic声称自己最先发现这些东西，应该享有所有权，可各方势力都想要分一杯羹，一场多方战争一触即发（Vic友人之死成了导火索）。

德国陆军司令部发出神秘特别指令，派遣一支山地步兵部队执行一项危险任务。 　　士兵康拉德·哈特曼和丹尼尔·肯珀被派遣到芬兰。在那里，他们参与了德国对苏联的大规模进攻。然而很快，这两位朋友意识到他们的真正任务完全不同。他们所在的精英部队脱离了正规部队，由党卫军上校鲁道夫·克里格和一位拥有更为奇异能力的神秘女性带领。 　　维京时代石碑上的晦涩线索；只有少数人能够看见的两只乌鸦；神秘的迷雾，它不仅迷惑感官，还能扭曲时间？ 　　康拉德和丹尼尔陷入一个又一个险境，最终踏上了无人应涉足的道路……

德国陆军司令部发出神秘特别指令，派遣一支山地步兵部队执行一项危险任务。 　　士兵康拉德·哈特曼和丹尼尔·肯珀被派遣到芬兰。在那里，他们参与了德国对苏联的大规模进攻。然而很快，这两位朋友意识到他们的真正任务完全不同。他们所在的精英部队脱离了正规部队，由党卫军上校鲁道夫·克里格和一位拥有更为奇异能力的神秘女性带领。 　　维京时代石碑上的晦涩线索；只有少数人能够看见的两只乌鸦；神秘的迷雾，它不仅迷惑感官，还能扭曲时间？ 　　康拉德和丹尼尔陷入一个又一个险境，最终踏上了无人应涉足的道路……

唐冠华在中国福州建立了现实中的理想国“南部生活共识社区”，艺术家于伯公来到这里，实施了一件与社区居民们（音乐人、诗人、导演、僧人、设计师、种植者、建筑师等）一起徒步露营穿越北京,名曰“移動的營地”的作品，一行人从北京朝阳区黑桥村的小树林进发向长城，继而抵达关外的内蒙古希拉穆仁草原。 　　一路办展览、搞派对、思索生活。与北京从事艺术、商业、文化的理想主义者们握手，离开乡村的温床，与硕大的城市温柔的拥抱。试图接近全体人类的底层共识。

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )